See Them Live!

What’s a TV actor to do when they really want to prove to the world that they know how to act?  Or what’s a stage actor to do when they find fame and fortune on TV or in the movies… and want to prove to the world that they can act?

That’s right, spend your off-time on the boards. Do some Shakespeare-in-the-Park or get more deeply involved by actually taking a substantial run at a play. Indulge yourself in a re-interpretation of a classic, or kick out all the boards and expose yourself completely with an original.

Many of the audience members will attend these plays simply because they star well-known actors. And while that sometimes makes the tickets scarce and pricey, my hope is that it entices many more people to see live theatre. Following are just a few shows I have seen in the past couple of years (all on Broadway) that featured TV stars.

 

Harvey by Mary Chase – July 2012

harvey3

Parsons and Friend

 

Out of general respect to the Stage, I like to dress nicely for a show. However, I’m not such a snob as to be horrified by folks in t-shirts and shorts. But I had never seen so many “Bazinga!” shirts in one place as I had at this production of Harvey.

Starring Jim Parsons, Jessica Hecht, Charles Kimborough, and Carol Kane, this classic play is light and charming fare. Despite the clearly alcoholic main character, a possibly demonic invisible rabbit, and the ever-present threat of being forcibly detained in a mental hospital… this is a fun play!

Parsons known primarily for his role in the comedy The Big Bang Theory, is more charming and sexy than you can imagine (if you’ve only ever seen him in his TV show.) An accomplished stage actor, Parsons will no doubt keep bringing his legions of fans to be exposed to live Theatre whatever he does.

 

Enemy of the People by Henrik Ibsen – November 2013

Enemy of the People is a timeless play about two brothers, played by Richard Thomas and Boyd Gaines, who are at opposite ends of a political spectrum, with their small town torn between the two. Retold by writer Rebecca Lenkiewicz, this version is still set in the 1800’s but could be talking about modern themes. Gaines, the main character is an idealistic doctor and his brother is a sharp politician.

If you have ever seen The Waltons, then you remember Richard Thomas’ John-Boy Walton  as a sweet, charming, soft-spoken man who just radiates NICE. I am sure he is like this in real life, even though, Dorian Gray-like, he doesn’t seem to have changed any in the decades since the show ended.

enemy-x-large

Insert your own “Good Night, John Boy” joke here

 

But let the power of Acting amaze you when he takes that charm and soft lilt in his voice and uses them to manipulate his way to destroy his brother. I remember gasping at how frighteningly snake-like that twinkle in his eye could be and I know now that I can never look at John-Boy again in the same light.

Orphans by Lyle Kessler – April 2013

Alec Baldwin is a movie star and the star of the TV comedy 30 Rock. He could be playing in any field, but he really loves the stage… and the stage really loves him. This three-person play is about two young men who fall under the sway of a con artist who introduces them to “good living through crime.” Baldwin is known for playing fast-talking sharp-dressed men and is no different here.

This is a character we have seen before, especially 30 Rock fans who came to see the show and anyone who saw Baldwin in the film version of David Mamet’s classic Glengarry Glen Ross. His larger-than-life presence makes it tough for the two other actors to strut their stuff, but they manage handily. Here’s hoping in the future Baldwin can find a character outside of his comfort zone.

 

As for you dear reader, get out of your comfort zone too! If there is an actor you admire for their movies or TV work, then see them up close and personal onstage.

What’s on YouTube !?!

On my Theatre Weekends in NYC I tend to watch 4 or 5 plays, which I spread out over the next month or so under the guise of One-Play-Per-Week. When I am at home, I try to see something local, but often there is nothing to watch which is when I turn to the Internet.YouTube has a lot to offer, so here is a round-up of three classic plays I watched recently.

 

The Importance of Being Earnest

All you ever wanted to know about The Importance of Being Earnest by Oscar Wilde

http://en.wikipedia.org/wiki/The_Importance_of_Being_Earnest

 

Available on YouTube as of July 2014, this snappy production from 1986 stars Joan Plowright, Paul McGann, Rupert Frazer, Amanda Redman, and Natalie Ogle. It’s a classic comedy, centering around mistaken identity and marrying the right (rich) person. In the end it’s more important who you are at birth than anything you do with your life subsequently. Wilde clearly had lots to say. Plowright is fierce in a roll that is sometimes played by a man, McGann is fabulously handsome and very Ernest, it’s all very, very BBC.

 

What the Butler Saw

All you ever wanted to know about What the Butler Saw by Joe Orton

http://en.wikipedia.org/wiki/What_the_Butler_Saw_(play)

This 1987 BBC production starring Dinsdale Landen, Prunella Scales, and Timothy West is available for viewing as of July 2014. Orton is best known for being outrageous yet canny. This play explores sexual exploits in all its variety, and ultimately how these things are completely misunderstood by outsiders, particularly in the mental health industry. Is that fellow wearing a dress because he wants to be a woman?…. or is he just trying to disguise himself from the police? This production is particularly smooth, with very little actual nudity.

 

The Room

All you ever wanted to know about The Room by Harold Pinter

http://en.wikipedia.org/wiki/The_Room_(play)

 

The Room is a very early short play by Harold Pinter, described as a Comedy of Menace. Below is a link to the production from 1987 starring Linda Hunt, Julian Sands, Annie Lennox, and Donald Pleasance; directed by Robert Altman. It is a subtle and sneaky play that I just love to pieces.  The main character Rose pushes out the claustrophobia of the tiny room by constantly talking, but it only takes a few mysterious guests to collapse everything and … Well, see for yourselves.

This video was mentioned by Julian Sands himself in A Celebration of Pinter. See my review HERE.

Available on YouTube as of July 2014

Local Bent

Local theatre can be nice. Here in New Orleans there are a few places to go and a few Theatre troupes that put on shows. After a while though it feels like you are seeing the same few actors over and over again in very similar shows (there is an tremendous fondness for Tennessee Williams here.) I watch what I can and generally enjoy most of it.

In June 2014 I saw a production of Bent by Martin Sherman at a small local venue. A fitting start to Gay Pride Month, a play that shows how far acceptance of homosexuality has come… and how low humanity can be sometimes.

If you are not familiar with the play, I posted a link to the Wikipedia article below. You can also find the film version of Bent starring Clive Owen with Ian McKellen Uncle Freddy. McKellen starred in the original stage production (Link below for clip.) It is a powerful play set primarily in a Nazi Concentration Camp during World War II, where homosexuals wearing pink triangles are the lowest of the low. One man trying to regain who and what he is, starts a tenuous and somewhat imaginary affair with another inmate. “Imaginary” because prisoners are not allowed to talk to each other, look at each other, and of course, touch each other.

Heralded at the time for revealing a little known aspect of the persecution of homosexuals, Bent is still powerful even in a small venue with simple sets. While the acting in this local production  was a little uneven, the main people were excellent in this riveting play. Kudos especially to Bob Edes Jr., a local New Orleans actor who played two diametrically opposed characters… Greta, the transvestite with a wife and kids, and the Nazi concentration camp Captain. The two leads, while excellent actors were very beefy, perhaps some body make-up could have made them look as malnourished and sick as the dialogue says they are.

Overall, I can’t say it was a fun evening (sobering and thought-provoking perhaps), but it was well worth my time to re-watch such an important play.

Bent the Play

http://en.wikipedia.org/wiki/Bent_(play)

Clip from original stage play

http://www.ianmckellen.us/bent_on_stage/

It was a Dark and Stormy Night…

I really enjoy Theatre. I think it can be fun or thought-provoking, funny or sad, but mostly enjoyable. It’s a good evening out with friends (real or imaginary) and an opportunity to capture that moment when THIS performance is being created and pushed out into the Aether, captured only by the eyes and minds of those present, never to be seen in the exact same way again.

But every now and then, Theatre is much more than that. Great Plays are Great; and Great Actors come along once in a while. When those two worlds collide, the final product is breathtaking.  It was an honor and a privilege to see Sir Kenneth Branagh on stage in New York City performing Macbeth, and something I can tell people about for the rest of my life.

Entering the Park Avenue Armory on a rainy June day was in itself a thrill. The old building reeked of history and elegance. The audience members were divided into Clans (Go Clan Robertson!) and allowed to mingle with our fellow clansmen before being shepherded out to the seating area. A bell rang and the great doors opened to reveal a blasted heath. Treading carefully along a path, strange cloaked men wandered the moor by torchlight. Our goal? Stonehenge of course. But not a tiny This is Spinal Tap -type Stonehenge. No, this was substantial and eerie.

Park Ave. Armory

 Photo from the Park Avenue Armory

The seats were hard benches but I was in the second row and was not complaining about anything. Stonehenge was even more impressive as we could now see through the megaliths, lines of people being lead by torchlight through the moor. Stonehenge was just a gateway to the “stage”, a long narrow dirt track that lead up to a raised “Altar” and more megaliths framing a triptych of religious images. Dozens of candles were being lit by a veiled woman as the audience found their seats.

 

As the show began, the Witches, eerie and acrobatic gave way to a thunderous battle. Swords clashed, blood flew, rain pelted the performers and a few of us at the front. But the wall that surrounded the action was enough to keep people safe. We still flinched back as soldiers (and the Mr. and Mrs) smashed themselves against the wall in aggressive (and sexual) fury. Yes, that’s right, Sir Ken stripped off to reveal a battered and bruised torso upon returning to his castle, where his primary goal was to get Lady MacB (Alex Kingston) to hoist up her skirts and bend over.

 

But enough savagery! The play really gets going when plans are made and dispatched. It is an old old story [*Spoiler Alert – Everyone dies*] and this production played it out well. What were some surprises for me?

  • The murdering of the king was actually played out on the “Altar” (rarely seen and heartbreaking)
  • Alex Kingston decided to cut to the chase with Lady MacB’s crazy early in her performance. No sharp “Crazy Curve” for her; she went with “Crazy from the start”. (I’ll talk a little more about Lady Macbeth’s “Crazy Curve” in another blog entry.)
  • Also, the production decided to let her do her big “Out Damn Spot” speech from the TOP of the altar’s megaliths. Stunning!
  • When he was told his wife was dead, Sir Ken was RIGHT IN FRONT OF ME! The power of his voice was like a shotgun of emotion. I don’t know how the others can stand up to him on stage.
  • Speaking of which, the young actor who played Young Siward looked like he was 15 years old. Watching the brutish, red-headed Scot bear down on him was actually a bit frightening.

 

All-in-all it was Magnificent! I never cheered so loudly as the actors took their bows, and the thunderous applause for Branagh was rafter-shaking. It was a performance of a lifetime and I was one of the few people on the Earth that was allowed to see it.

The Beginning…

College life was very good to me. I think it was mostly because there was a very tight schedule that we all had to follow. The Syllabus was the center of my Universe. But now, Life does not hand you a syllabus, and there is no one who holds you accountable for what you do and how you spend your time.

Recently I rediscovered Theatre. My favorite play of all time Macbeth (aka The Scottish Play) was re-imagined as a one-man show starring Alan Cumming. He was only performing in New York City for 10 days. And his last performance was on my birthday. I calculated my monetary resources and decided “What the heck?!” I wasn’t doing anything else on my birthday. That weekend I also saw Harvey staring  Jim Parsons and One Man, Two Guvnors staring James Cordon. It was the best birthday weekend ever and I vowed to repeat it as often as possible.

Two years later I am craving more and more theatre. So I decided to start this blog and record my thoughts about the plays I have seen and ones I am hoping to see. Since the town I live in has a limited theatrical culture I cannot sustain my original thought of “A Play-a-Week” but I can enhance my Live theatre experiences with DVDs, the excesses of YouTube and of course the occasional National Theatre Live.

I will try to sustain a weekly blog entry… but I only have myself to hold myself accountable.

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It’s all this guy’s fault.