The Two Sirs

Repertory Theater is an amazing thing. One troupe of actors doing a rotation of plays. All that memorizing! I wonder if anyone ever forgets what play they are in and starts saying the wrong lines.

No, these are professionals.

And there are no more professional actors than Sir Ian McKellen and Sir Patrick Stewart; along with Billy Crudup and Shuler Hensley, four great actors… two great plays.

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No, not this….

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 Nope, wrong again…

In November 2013 I was on one of my Theatre Weekends for an extraordinary double-bill. No Man’s Land by Harold Pinter and Waiting for Godot by Samuel Beckett. The theater was filled with Star Trek and Lord of the Rings fans (probably some X-men fans too), some of whom very likely had their minds blown. There were a couple of guys near me, one of whom said “I don’t get it, it’s just a couple of guys talking to each other.” I hope they seriously weren’t expecting wizard / laser battles.

Now, I’ll see a Pinter play under any circumstances, but to see a troupe of great actors do it was just wonderful. No Man’s Land is a comedy of menace like Pinter does, revolving around odd relationships and alcohol. Lots of alcohol. The characters (and the audience) are never quite sure where they stand with each other. In this play, a three-man household is invaded (or was he kidnapped?) by a stranger (or is he?) All the actors get their moment to shine as they pair off  to confront each other.

 

 

Waiting for Godot is a classic existentialist play by Samuel Beckett. Everyone loves to put on a production of Godot but it is known to leave audiences vaguely confused. The play has whatever meaning you wish to impart upon it, but clearly it is a delight to perform. Actors love it, and the two leads had too much fun on stage. Crudup gave it his all as Lucky in his “Think” speech.

 


 

If ever you have the opportunity to see something like this, by all means, GO! Great actors in classic plays come along once in a while.

 

All you need to know about No Man’s Land by Harold Pinter

All you need to know about Waiting for Godot by Samuel Beckett

What’s on YouTube !?!

On my Theatre Weekends in NYC I tend to watch 4 or 5 plays, which I spread out over the next month or so under the guise of One-Play-Per-Week. When I am at home, I try to see something local, but often there is nothing to watch which is when I turn to the Internet.YouTube has a lot to offer, so here is a round-up of three classic plays I watched recently.

 

The Importance of Being Earnest

All you ever wanted to know about The Importance of Being Earnest by Oscar Wilde

http://en.wikipedia.org/wiki/The_Importance_of_Being_Earnest

 

Available on YouTube as of July 2014, this snappy production from 1986 stars Joan Plowright, Paul McGann, Rupert Frazer, Amanda Redman, and Natalie Ogle. It’s a classic comedy, centering around mistaken identity and marrying the right (rich) person. In the end it’s more important who you are at birth than anything you do with your life subsequently. Wilde clearly had lots to say. Plowright is fierce in a roll that is sometimes played by a man, McGann is fabulously handsome and very Ernest, it’s all very, very BBC.

 

What the Butler Saw

All you ever wanted to know about What the Butler Saw by Joe Orton

http://en.wikipedia.org/wiki/What_the_Butler_Saw_(play)

This 1987 BBC production starring Dinsdale Landen, Prunella Scales, and Timothy West is available for viewing as of July 2014. Orton is best known for being outrageous yet canny. This play explores sexual exploits in all its variety, and ultimately how these things are completely misunderstood by outsiders, particularly in the mental health industry. Is that fellow wearing a dress because he wants to be a woman?…. or is he just trying to disguise himself from the police? This production is particularly smooth, with very little actual nudity.

 

The Room

All you ever wanted to know about The Room by Harold Pinter

http://en.wikipedia.org/wiki/The_Room_(play)

 

The Room is a very early short play by Harold Pinter, described as a Comedy of Menace. Below is a link to the production from 1987 starring Linda Hunt, Julian Sands, Annie Lennox, and Donald Pleasance; directed by Robert Altman. It is a subtle and sneaky play that I just love to pieces.  The main character Rose pushes out the claustrophobia of the tiny room by constantly talking, but it only takes a few mysterious guests to collapse everything and … Well, see for yourselves.

This video was mentioned by Julian Sands himself in A Celebration of Pinter. See my review HERE.

Available on YouTube as of July 2014

A Pash for Pinter

When I was in New York City not long ago on one of my Theatre Weekends, TWO Harold Pinter plays were playing on Broadway. Betrayal starring Daniel Craig and Rachel Weiz; and No Man’s Land with Sir Ian McKellen and Sir Patrick Stewart. I wish I could see both but I only had time for No Man’s Land (more on this in another blog) because I have a Passion for Pinter.

Pinter’s work has this ability to be both funny and menacing, He weaves a place where the audience is only vaguely privy to, and when you think you have it figured out, it turns again and lands somewhere else entirely.

In May 2014, Julian Sands came to town with his one-man tribute to Harold Pinter, A Celebration of Pinter. He was alone on stage with a well-worn copy of Various Voices, poetry by Harold Pinter, and a storehouse of memories of the Great Man. Mr. Sands knew Pinter when he substituted for the poet and playwright, reading from his work. This collaboration eventually turned into a tribute when Pinter died, and from there it became a one-man show that has toured the world.

collageSands

And what a delightful show it was! Sands is charming, handsome, and funny as he tells some surprisingly intimate stories about Pinter, Cricket, and Life in General, swinging effortlessly between a bombastic impersonation of Pinter and his Real Self. At one point, an explosive (and expletive laden) poem caught the audience off-guard. The front row was so startled that the Real Julian Sands (soft-spoken and sweet) made a swift appearance and apologized profusely. We all giggled uncontrollably at how surprisingly aggressive acting can be.

Sands clearly adjusts portions of the piece to tell some anecdote relating to the town he is in. He talked about walking along the river here in New Orleans and about Martin Jarvis, who was filming in nearby Louisiana. These comments made the evening feel even more intimate, as if we were chatting with a charming friend.

I was a little disappointed that there was not very much talk about the plays themselves, for the evening focused on Pinter’s poetry. He mentioned,  a production of The Room that I later found on YouTube where Julian Sands plays the sinister Mr. Sands. (I will talk about this in another blog entry.) But all in all it was a pleasant evening, chatting with a charming man about his Adventures with Pinter.

 

Look for this show in your town!

http://cacno.org/performances/julian-sands

 

Q&A with Julian Sands (not at the CAC in New Orleans)